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Clef: BassBass
Measures: 60 - 150
Unique Notes: 6 - 10
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Baroque
Lamento della ninfa - Monteverdi
Raphaël Batôt
3:27 Est. Play
Time
138 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpe Treble 19 9 4 3 100%
Bass 5 0 0 1 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpe Treble 19 9 4 3 100%
Bass 5 0 0 1 100%
Soprano Treble 12 0 2 3 80%
Ténor Treble 9 0 2 3 27%
Treble 7 0 0 3 33%
Basse Bass 9 0 0 3 31%
 
Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140
Barock
0:44 Est. Play
Time
73 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 8 0 0 3 19%
4 0 0 1 38%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 8 0 0 3 19%
4 0 0 1 38%
9 0 0 4 23%
8 0 0 3 27%
B.c. Bass 19 0 3 4 100%
Violino
I		 Treble 22 0 5 6 100%
Oboe
I		 Treble 14 0 2 6 96%
Viiolino Treble 22 0 5 6 92%
Oboe
II		 Treble 12 0 0 5 77%
Taille 11 0 0 5 77%
Viola 13 0 1 5 73%
Violino
II		 Treble 12 0 0 5 73%
Corno
 5 0 0 1 38%
 
Movement I — Concerto for Two Chalumeaux in D Minor (Telemann)
Benjamin Davidson
3:44 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chalumeaux
1		 Treble 17 0 5 11 99%
Chalumeaux
2		 Treble 14 0 3 6 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chalumeaux
1		 Treble 17 0 5 11 99%
Chalumeaux
2		 Treble 14 0 3 6 99%
Viola 10 0 3 4 36%
Violin Treble 11 0 2 4 36%
Violoncello Bass 7 0 1 4 34%
Harpsichord Treble 16 4 1 5 29%
Bass 4 0 3 2 2%
 
HWV63A3N58 - "See, the conquering hero comes"
edward.maurath
3:33 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
Treble 13 0 2 8 67%
Alto 11 0 1 6 58%
Organ
as by
Handel		 14 0 1 6 58%
Soprano
II		 12 0 3 6 58%
French Horn
I		 Treble 9 0 1 6 50%
French Horn
II		 Treble 9 0 1 6 50%
Oboe Treble 13 16 2 6 35%
Bass Bass 9 0 1 6 33%
Cello Continuo Bass 9 0 1 6 33%
Cortrebass Continuo Bass 9 0 1 6 33%
Organ Continuo Treble 16 18 3 5 33%
Organo Continuo Bass 10 1 1 6 33%
Tenor 8 0 2 6 33%
Viola 9 0 1 4 33%
Violin
I		 Treble 9 0 1 5 33%
Violin
II		 Treble 10 0 2 8 33%
 
Baroque_Spanish_Flea
joseph28801
1:25 Est. Play
Time
130 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 7 5 98%
Contrabass Bass 16 0 2 3 45%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 7 5 98%
Contrabass Bass 16 0 2 3 45%
Violin
I		 Treble 10 0 1 3 36%
Violin
II		 Treble 13 0 3 3 19%
Violoncello Bass 10 0 3 1 17%
 
Concerto No. 1 For Cello Mvmt. 1
DrThorg
2:23 Est. Play
Time
63 Measures
1,044Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 21 0 2 10 95%
Violoncellos Bass 16 0 2 5 84%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 21 0 2 10 95%
Violoncellos Bass 16 0 2 5 84%
Violins
1		 Treble 20 0 0 6 51%
Violas 9 0 0 5 41%
Violins
2		 Treble 10 0 0 6 30%
Double
Bass		 Bass 6 0 0 3 27%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)
edward.maurath
4:17 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 29 9 7 97%
Bass 25 19 5 7 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 29 9 7 97%
Bass 25 19 5 7 97%
Violoncello Bass 24 0 5 6 97%
Contrabass Bass 24 0 5 5 88%
Dorinda 17 0 6 6 75%
Violins
1		 Treble 22 0 7 7 56%
Contrabasses Bass 17 0 4 3 47%
Violoncellos Bass 17 0 4 3 47%
Bassoon Bass 10 0 2 3 13%
Oboe Treble 14 0 2 5 13%
 
Ciacona
jsidew
3:56 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 3 6 7 76%
Bass 7 0 0 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 3 6 7 76%
Bass 7 0 0 7 100%
 
Canon in D Major (String Ensemble and Continuo Arrangement)
Arianna2001
6:02 Est. Play
Time
113 Measures
2,470Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 13 26 0 3 100%
Bass 11 1 0 2 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 13 26 0 3 100%
Bass 11 1 0 2 100%
Bass 6 0 0 2 100%
Contrabass Bass 6 1 0 2 100%
Contrabasses Bass 6 1 0 2 100%
Solo
Viola
(A)		 11 0 0 3 100%
Tutti
Violas
Pizz
and
Arco
(Div)
(B)		 11 1 0 2 100%
Violoncello Bass 6 1 0 2 100%
Violoncellos Bass 6 1 0 2 100%
Violin Treble 23 9 2 7 96%
Treble 23 9 2 7 93%
Treble 23 9 2 7 89%
1st
Violins		 Treble 23 9 2 7 96%
2nd
Violins		 Treble 23 9 2 7 93%
3rd
Violins		 Treble 23 9 2 7 89%
Viola 11 1 0 2 15%
Violas 11 1 0 2 15%
 
Sonata Tertia by Johann Heinrich Schmelzer
adflord
7:09 Est. Play
Time
149 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 9 0 2 6 100%
Violin Treble 34 3 12 9 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 9 0 2 6 100%
Violin Treble 34 3 12 9 99%
 
Sonata Secunda By Johann Heinrich Schmelzer from the Unarum Fidium collection
adflord
7:04 Est. Play
Time
140 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 8 0 0 6 100%
Violin Treble 24 0 3 13 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 8 0 0 6 100%
Violin Treble 24 0 3 13 100%